ART BY THE YARD: A FABULOUS EXHIBIT AT THE TEXTILE MUSEUM THIS SUMMER

Through September 12th, I encourage anyone who loves modern cultural history, stories of female empowerment or just beautiful design to check out this exhibit. Here are the highlights, but seeing the textiles in person is a real treat. Focusing on the contributions of female designers to Britain’s textile industry in the years following World War II, the exhibit provides a window onto the cultural landscape in that era. After years of privation due to the war and economic hardship, England entered into the 1950s with a great deal of optimism and was fortunate that in the realm of design, a new generation of innovators waited for the opportunity to express fresh perspectives. On display are the works of Lucienne Day, Marian Mahler and Jacqueline Groag, all women whose careers coincided with and defined style in the mid-century. Greeting visitors at the entrance is ’Calyx’, the first textile design that was to bring Day real recognition in 1951. An abstract piece in unique colors, suggesting anything from tulip blooms to martini glasses, at once grounded and weightless, this is clearly at the heart of graphic design to follow. Drawing their inspirations from painters and sculptures of the era, these women created a bridge through fabrics that linked contemporary art and architecture to home design. To get a glimpse online, visit www.textilemuseum.org/exhibitions/current/Art-by-the-Yard.htm

In Praise of Small Houses

With the shift towards saving vs. spending that our economic times has inspired in so many people, one can only hope that the real estate and building markets will seize the day and begin promoting smaller scaled homes. The benefits are many. Less energy use, and thus smaller bills, and lighter mortgages are only a few of the perks. From a designer's perspective, the intimate scale of the modest home lends itself to more complex decorative work.

For the homeowner with a larger budget, fewer square feet translates into dollars that are better spent on custom details such as non-standard moldings and finely crafted cabinetry. And for the nester who has a more confined budget, but still values quality, the more tailored the size of the home to the functions of good living, the more funds can be allocated to finer furniture and appointments. Often in the last decade, houses with a grand footprint have been tricked out shoddily in over-shopped furnishings. This greed for excess has lead to a consumer base that wants the lowest price possible to purchase the maximum amount of things. Not only has this impacted the world of craftsmen and stateside suppliers, it has taken design into a more overtly homogenized direction. For a large corporation to sell the greatest number of sofas, for instance, the design must have the fewest stylistic objections to the masses, so the characteristics become more bland.

This design consultant lives in under a thousand square feet and has tried with mixed results, numerous times, to lend a sense of character and warmth to homes as much as ten times that size. When it has been possible it has been through a host of ploys: texture and tone to draw down the ceilings, layers of textile in front of over-scaled windows to lend grace or alterations in the proportion of openings to create more anticipation of the next space. When all is said and done, very often the client has wound the process to a close long before the desired level of interest has been accomplished.

When the Victorian barons of industry began building their American castles, they employed hundreds of craftspeople. Even when the results were ostentatious, the rooms felt rich and interesting aesthetically. Rarely does one see such commitment to detail in the modern home, but if one were to narrow the scope to something workable and honest, than with thought and time, one could accomplish a personal masterpiece. It ought to be a point of pride for thinking people of large social ethics and normal-sized egos to live in only the space they need for a comfortable existence, be it simple or grand in its appointments.